The Calls are back with their latest single ‘A Change Is Gonna Come Around Here’. Released October 4th via Atomic Records, the single illustrates frustration of the growing dystopia world that evolves around us. As a live fan favourite for some time, hearing the single recorded in the studio has made many fans happy. Mixing… Continue reading The Calls – A Change Is Gonna Come Round Here (Review)
Electro-pop artist Panaviscope shares new single “Kiss Yourself to Death”. Signed to How Bad Pretty Bad, the swiss visual artist’s track was mixed by Yvan Bing (Gwen Stefani, Phil Collins, Wu-Tang Clan) and mastered by Mike Marsh (Daft Punk, The Chemical Brothers, Depeche Mode). Alex Duloz aka the man behind the mask brings a whole… Continue reading Panaviscope – Kiss Yourself to Death (Review)
Acid Vision formed late 2018 and gigged from the start of the year before taking a break shortly after releasing their debut EP in March. After their former bassist left, the band started to focus on improving their songwriting and play a different style of music to what they normally would have. Released August 9th,… Continue reading Acid Vision – Little Moon (Review)
Stanley Duke from Lost Dawn returns with a brand new project - Stanley Duke & The Kindred Spirits. Theatrical and psychedelic, the collective fuse rock and roll with a pop twist. Their first single “Collagen” dropped July 26th and has been proving that this new concept for Stanley is capturing his true vision. https://www.youtube.com/watch?v=unVKRqN6KKc Delivering… Continue reading Stanley Duke and the Kindred Spirits – Collagen (Review)
Getting recognition over radio and from their live shows, Good Foxy are stepping “Into Tomorrow” with the infectious, psychedelic number. Their music takes inspiration from artists such as Tame Impala, The Doors and Unknown Mortal Orchestra to name a few. Known for their versatile gigs of acoustic shows and electric sets, they’ve played festivals such… Continue reading Good Foxy – Into Tomorrow (Review)
Released Friday 10th May via Sun Turtle Records, please welcome Gerald James aka JOG. Here with his debut EP ‘Driftwood’, the four track EP was recorded straight to tape by David McAulay (Mogwai, King Creosote), and mastered by Joseph Carra (King Gizzard & The Lizard Wizard). From just saying those names in the same sentence,… Continue reading JOG – Driftwood (Review)
It’s like Sonic Youth had a love child with the Pixies and created SUNGLO. Manchester based quartet are back with the infectious “Elevator Belle.” 2018 saw the release of their debut single “I Don’t Mind”, which took Manchester by storm with Sunglo’s defying “happy filth” sound, which is probably the best way to describe them… Continue reading SUNGLO – Elevator Belle (Review)
Multi instrumentalist St Vincent is back. Her fifth studio album "Masseduction" is now a very important album in St Vincent's discography. It's personal and takes a big step into Annie Clark's life. Annie Clark is St Vincent. She has been using a stage name since 2006 and everybody now knows her for this. I find it very interesting when… Continue reading St Vincent – Masseduction (Review)
The Golden God himself is back with a stunning new album. His first solo album in three years, "Carry Fire" is raw and rhythmically oozing with influences. With help from his backing band "The Sensational Space Shifters" who are sensational, if I do say so myself (no pun intended), they create a well produced album produced… Continue reading Robert Plant – Carry Fire (Review)
Well, that's a word you wouldn't be able to say while drunk... King Gizzard & the Lizard Wizard are back after not releasing music in three months (that's actually a long time in King Gizzard world...) Polygondwanaland is a mouthful, but physically and mentally, it's some of King Gizzard's best work. With already releasing three albums this year,… Continue reading King Gizzard & the Lizard Wizard – Polygondwanaland (Review)
