2018 EPs/Albums, Live Reviews

Phi Yaan Zek’s Album Launch Review – 15th September 2018

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Located on a warm Saturday night at Kidderminster College, the night began with one of the college’s talented bands; Hey Jester. The Hey Jester boys are really causing a stir with their progressive rock music. The songs. The image. The sound. They have the whole package. Think early Muse but with incredible Myles Kennedy like vocals. Even had people coming up to me after the show saying that they’d go watch Hey Jester play their own headline show, it was THAT good of a set. Frontman, Mirron Webb was pretty busy all night seeing as he featured in Phi Yaan Zek’s all star band…

Well, what can I say… it’s been 5 days after the show and I’m still speechless from Phi’s set. Incredible. With Phi playing electric/acoustic guitar and vocals, his backing band featured Steve Lawson on Bass (who actually stood up and played.. this was a surprise to say the least), Andy Edwards on Drums, Ola Olsson on Trumpet, Lalle Larson on Keyboard and Mirron Webb on Guitar. They kicked the show off with a new track off Reality Is My Play Thing called “Alive.” It’s fast and full of charisma. The week before the album launch, the band actually filmed a music video for Alive which features zombies… It’s rather mad. It will be released soon. Once the song was finished, there was a huge roar come from the crowd of praise towards the band and there’s no doubt that the momentum stayed all the way to the end of the gig as it truly did. The 3 minute song is filled with many notes to say the least. It’s in your face constantly and you can’t ignore it and why would you want too? It’s wonderful and hearing the song live really lived up to the expectation of the studio version. There were a few moments where Phi’s microphone feedbacked but the sound was sorted out quite quickly.

“Kindling” has a memorable chorus which I found myself singing when performed live. It’s the killer riff that is the most insane thing about the song. What an introductory to the band. I know that some of the band members had said that learning Phi’s songs has been one of the hardest things they’ve ever learnt, but my goodness, they pulled off a brilliant show. “Reunion” was a stand out track for the show. It’s a scary song anyway but seeing the musicians actually perform it was even scarier. Think Frank Zappa but slightly madder… it is possible as it’s Phi. The song was released on Phi’s 2007 album “Anomalies.” This song just put the cherry on the insanity cake. Wow.

“Frequency Calling” is another newbie and was performed near enough the exact same as the record. Starting off with Phi’s lyrics “no signal.. seems broken, your message is forgotten, so borrow this radio and allow your dreams to flow”, the song begins acoustically and even features a superb acoustic guitar solo from Phi. It then reaches it’s peak when the full band are introduced. I really enjoyed sitting back and seeing where this song takes me mentally. The interference of the song took the audience through a bizarre journey of accepting yourself and things around you.

Now… “Ecstasies of the Starlight Self” is completely prog down to a tee. It’s one of Phi’s best songs in my eyes because it’s just so unusual. The studio version is featured on Phi’s album with Marco Minneman “Dance with the Anima.” The band made the 1:51 track into an over 3 minute epic of solos coming out of solos. It’s Phi’s scat like vocals in the song which just makes it so much fun. The drum and bass style drum parts are so important in this song creating a fast pace.

The song makes you dance, just look at Phi in this video.

Starting off the next song with something different.. anyone for a game of I spy? Phi picked an audience member for a game of “I Phi” which lead into probably the funkiest song of the set. It’s Mirron’s rhythmical guitar part that sticks out straight away with a memorable wah effect added to the sound. This is a track where it was lovely to see the band wander into their own comfort zones and play their own, unique solos. I Phi was definitely one of the best tracks on the night with the audience applauding so loudly at the end that it actually hurt my ears! The genuine fretless bass sound was clear from the get go. Sometimes people just use programme effect on a pedal to get a fretless sound, but not with Steve Lawson, he has the real thing. 

One of my absolute favourites of Phi’s is “Wondrous Self” purely because of the chord progression. Harmonically, the song is clever and looks so easy to play very from all the musicians on the stage. They made every song look so easy to play which is completely inspiring. If I had a go at one Phi Yaan Zek song, I think my hands would fall off. The song seemed to have gone by quickly, probably because we all enjoyed it so much and they say time flies by when you’re having fun. The next track was simply put as a wash of all emotions… EVER. It’s angry. It’s happy. It’s a rollercoaster. It’s like a…. “Brainwash.” Off Phi’s debut album released over 21 years ago, the song reminds me of something along the lines of The Prodigy covering a Gentle Giant track. It’s dark but also so bright to listen too. 

Featuring Phi back on the acoustic guitar, “Subtle” is a faint movement towards a soft song. It’s always nice to hear a slow song after listening to complete madness of Phi’s other discography and Subtle just proves that he can write in different types of moods, making him a very versatile artist, which we already knew. Subtle featured an absolutely gorgeous bass solo from Steve Lawson, I was completely mesmerised. Swiftly onto the next song, “Break the Ice” let Phi sit back a bit with the guitar work ever so slightly and let Mirron take control with an impressive guitar solo. Break The Ice sits exactly in the middle of the first half of Phi’s latest album and it fitted pleasantly towards the end of the set. 

Let’s forget about the music for a moment, I just wanted to say how wonderful Phi’s interaction with the audience was. “Does anybody like Dragonflies? What about Dragonfly Medicine?” I think that’s Phi in a nutshell… random and weirdly wonderful. ‘Cause let’s be honest… only Phi would write a song about Dragonfly Medicine. It’s the second song of the new double album and it’s everything you want in an instrumental. The rhythm is strange and out of this world. It’s Lalle and Andy the audience are watching in complete awe for this track. Both dominated the rhythm and showed the song who’s boss. 

“Down from the Mountain” is a stand out track on Phi’s latest album, which featuring vocals from Phi, plus Mirron in the choruses making the section more noticeable and strong. The song deals with isolation and to not get stuck in your head. The lyrics are quite dark for such a happy sounding song. It’s the rhythm of the vocals over the lyrics that stand out to me as a songwriter. It’s imaginative and a different way to deliver vocals successfully. Next up in the live set just happens to be the very last song on the double album “Reality Is My Strange Thing” which takes us through so many influences. There’s part where it sounds like a jazz standard, the next it’s an uptempo ska track. It’s completely and utter bonkers but so enjoyable to listen too. 

The ‘last’ song of the set, you know the one before people go “MORE” and the band have to do one more… just happened to be “Abigail’s Place.” Phi released Abigail’s Place 3 months prior to the album launch and I’m so glad he did, because everyone in the audience, I mean EVERYONE was singing “We’re going, we’re going, we’re going, we’re going to Abigail’s Place.” A memorable moment of the whole show. It’s always amazing when one song can bring so many people together for that special moment and that surely was a lovely moment. What made the show so amazing was watching the musicians on stage thoroughly enjoy the whole set and they were certainly in their element. 

And we then thought that was the end, until the roar of the audience shone through. Phi then exclaimed “well… we’ll do one more then.” Another interaction moment was when Phi got an audience member on the stage to begin the encore with “I want to tell you about the puffball that ate my village…” and with that one lyric, we all knew we were going on another adventure inside Phi’s head. It was like Frank Zappa, Steve Vai, Gentle Giant and Gong just jammed on stage to create this circus sound. Before we knew it, the evening came to an end and I for one definitely could have listened to another hour’s worth of material. What a night.

When’s the next gig, Phi?

https://www.facebook.com/phiyaanzekmusic/

http://pyzmusic.com/

https://www.facebook.com/HeyJesterBand/

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